Amyl and the Sniffers

Amyl and the Sniffers are a Melbourne punk four-piece — fronted by the ferociously charismatic Amy Taylor alongside guitarist Dec Martens, bassist Gus Romer and drummer Bryce Wilson — who have become one of the most talked-about rock acts in Australia and abroad. Built on raw pub-rock energy and Taylor's commanding stage presence, the band released their third album Cartoon Darkness to widespread acclaim, sweeping the 2025 ARIA Awards with Album of the Year, Best Rock Album and Best Group.

The months surrounding that win were extraordinary. A free all-ages show at Melbourne's Federation Square was shut down before the band played a note after crowd pressure buckled the barriers — so the band redistributed their entire performance fee as a $35,000 bar tab across seven independent venues. Days later they were supporting AC/DC at stadium shows, including Accor Stadium in Sydney. Cartoon Darkness also earned the band their first Grammy nomination for Best Rock Performance for "U Should Not Be Doing That", and they made their late-night US television debut performing "Tiny Bikini" on The Tonight Show Starring Jimmy Fallon. Earlier in 2025 they picked up Best LP/EP and Best Live Act at the Rolling Stone Australia Awards and Song of the Year at the APRA Awards.

Politically, the band have never been shy. At Glastonbury they dedicated "Guided by Angels" to the people of Palestine, and when Bob Vylan and Kneecap's sets at the same festival sparked a media storm, Amyl publicly defended both acts, slamming the "British media frenzy" that painted them as extremists. Taylor's ARIA acceptance speech — declaring "all immigrants welcome" — landed as a cultural statement as much as a music moment.

Into 2026, the band announced a headline North American tour running through major venues and festivals including Red Rocks Amphitheatre and Bonnaroo, and confirmed a slot at New York's Governors Ball alongside a strong contingent of Australian and New Zealand artists. They also released Live At Ally Pally 2025, a free concert film shot in 16mm at London's Alexandra Palace. Off-stage, Taylor is navigating a legal dispute with photographer Jamie Nelson over the commercial use of images from a Vogue Portugal shoot — a matter that remains before the courts — while Playboy is preparing a feature profile on her as a modern punk icon.